There is a brief foreword, introducing the book as a 'manual' with which the discerning reader (who wouldn't have found it in the first place without a certain natural aptitude) can, if they choose, learn the Art of wizardry. Capital A.
The first chapter, 'Preliminary Determinations', discusses signs that one may be suited to the Art. Language features heavily: natural wizards are frequently drawn to words and books and languages, reading, writing, speaking. Curiosity is another. An inquisitive, exploratory nature, the kind of mind that wants to understand the world around it.
'Words,' apparently, 'are the wizard's most basic tools. With them a wizard can stop a tidal wave, talk a tree out of growing, or into it—freeze fire, burn rain—even slow down the death of the universe. That last, of course, is the reason there are wizards. See the next chapter.'
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The first chapter, 'Preliminary Determinations', discusses signs that one may be suited to the Art. Language features heavily: natural wizards are frequently drawn to words and books and languages, reading, writing, speaking. Curiosity is another. An inquisitive, exploratory nature, the kind of mind that wants to understand the world around it.
'Words,' apparently, 'are the wizard's most basic tools. With them a wizard can stop a tidal wave, talk a tree out of growing, or into it—freeze fire, burn rain—even slow down the death of the universe. That last, of course, is the reason there are wizards. See the next chapter.'